Lapidary Journal: Gems, Beads, Jewelry Making and more
Step-by-Step Jewelry Making Projects

Anodized Parrot


Intermediate metalsmithing technique: anodizing metals for color and surface effects.
TOOLBOX
  • Sheet niobium, 24-gauge
  • Sheet metal for backing, 24-gauge
  • 18K gold for beak
  • #0 saw blades
  • Disc sanders, 120-grit
  • Metal stamps
  • Very fine half-round needle file
  • Riveting hammer Daps
  • #60 drill bit
  • Flexible-shaft machine
  • 18-gauge round copper wire for rivets
  • Large glass or plastic container (square or round)
  • Electrolytic solution, which can be almost any liquid capable of carrying current, including Coca-Cola, Sparex, sulfuric acid, ammonium sulfate (fertilizer), magnesium sulfate (epsom salts), or trisodium phosphate
  • Titanium or stainless steel cathodes(-)
  • Power supply (I use a transformer/ 0-150 volts DC variable in one volt increments and from 2-5 amps)
  • Niobium or titanium hooks to hold the work
  • Rubber gloves (used during anodizing process to diminish chance of shock

For information on supplies, please see the Annual Buyers' Directory.

anodized parrot

I will never forget when I was first introduced to the anodization of the reactive metals titanium and niobium. It was in a workshop many years ago, and the brilliant colors possible with these processes amazed me. As a painter and colorist, I¹d had to restrict myself to the muted palette of mixed metals, so the possibility of introducing elements of vibrant color in textured and formed metals that would be both instant and permanent marked a pivotal change for me as an artist.

Although this brooch, Guacamaya, is an assemblage of multiple elements, we will be discussing the anodizing and assembly of the parrot, which is fabricated of 18K gold, onyx, and anodized niobium. The rest of the brooch is created of constructed, formed, and patinated sterling and copper sheet. The parrot is connected to the brooch with small brass watch screws.

During recent years, there has been a steady growth in the use of the reactive metals in jewelry and art. Within this group of metallic elements, the most common are titanium and niobium, the latter being both more ductile and more colorful. Niobium can be cut, formed, and finished with standard hand and power equipment. The high colorations can then be achieved through a simple anodizing process.

Anodizing most closely resembles standard electroplating. When a reactive metal is suspended in a electrolytic bath as an anode (+), and current is passed through the bath, oxygen is produced at the anode surface. This oxygen reacts with the metal to form a thin oxide film that thickens with increased voltage. The colors produced will vary with the thickness of the oxide layer. As there are no pigments or dyes involved, the color produced by these metals are known as interference colors, similar in appearance to those in an oil slick.

Please note that there is a danger of electrical shock in the anodizing process. The procedures described in this article require the use of potentially dangerous high voltage power supplies. Follow strict safety procedures for handling high voltage electrical equipment.

Thanks to Bill Seeley of Reactive Metals for general anodizing information.

Editor's note: Enid Kaplan is profiled on page 18 of the September 1999 LJ; see “Medicine Artist.”

Buy this project as an instant reprint! Details
(Instructions will open in a new window)
Price: $4.00

Enid Kaplan is a studio jeweler, mixed-media sculptor, teacher, writer, and lecturer. When she is not travelling with her husband and five-year-old son, she resides in Montreal and New York City, where she maintains her studios.

Search Step-by-Step Projects from 1994-present

Choose from 2 Exciting Offers
Lapidary Journal Jewelry Artist Magazine

BEST
DEAL

We have a special internet offer just for you. Subscribe to one year of Jewelry Artist, PAY NOW and receive 2 extra issues (14 issues in all) for FREE! You save over 64% off the newsstand price.

Yes, send me 14 issues for only $29.95!

Jewelry Artist Best Deal
U.S. funds only. Add $15/yr for Canadian, $25/yr for Int’l

OR

Send me a FREE trial issue of Jewelry Artist. I'll
get a one-year subscription (12 issues) for
only $29.95
—that's a savings of over 49% off
the newsstand price! If I'm not completely satisfied,
I can keep my FREE issue and return the bill
marked "cancel" and owe nothing.

Just fill out this form—it's Risk Free!

U.S. funds only. Add $15/yr for Canadian, $25/yr for Int’l

First Name
Last Name
Street 1
Street 2
City
State
Zip
Country
Email
TRIAL SUBSCRIPTION

Pay nothing now

________________________________________________________________

Feature Stories & Artist Profiles | Step-by-Step Projects & Workshops | Technique Articles | Business Articles | New Products | News, Conferences, & Deadlines | Take our Reader Survey

Articles & Workshops | Bead Fest | Jewelry Classes | Show Calendar | Search for Products & Suppliers | Classified Ad Deals | Advertising Rates & Information | Media Reviews | Store - Books & Back Issues | Contact Us | Links | Site Map

About Us | Subscribe to Lapidary Journal Jewelry Artist | Subscription Customer Service/Account Lookup

Contact us.
All content on this site © Lapidary Journal Jewelry Artist /Interweave Press.
If you have any questions or problems regarding this site, please e-mail our site editor.